![]() Run and Gun, an electronic dance track, starts with this modulation to gain some surprising energy coming out of the intro into the first drop. ![]() I Won't Let You Down by OK Go has an excellent example of this modulation near the end of the song. As a result, it's most frequently used at the start of the final chorus of a song to make the ending have more of a punch to it. When you abruptly modulate up a semitone, it immediately adds a lot of energy to a song. ![]() This is sometimes called the " truck driver's gear change" and shows up frequently in pop, rock, and dance music. Just jumping up the key up a semitone without a chord progression to lead into the modulation is a very common musical trope! Simply change the key signature in-between two major sections of a song, such as transitioning from a verse to the chorus - the already-present transition prevents the sudden modulation from sounding out of place or overly abrupt.
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